Title : Lisa Freeman, author of RIPTIDE SUMMER, on surviving riptides (both literally and metaphorically)
link : Lisa Freeman, author of RIPTIDE SUMMER, on surviving riptides (both literally and metaphorically)
Lisa Freeman, author of RIPTIDE SUMMER, on surviving riptides (both literally and metaphorically)
Lisa Freeman is back with the second novel in Honey Girls, RIPTIDE SUMMER, and we couldn't be more stoked to be joined by her today.
Lisa, what's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc.?
For me, all writing starts with a pot of tea. English Breakfast or a variation of something strong and British so I can channel the Queen’s English.
I like working in a dark room, with a single, dim light. Windows are optional. This is not the best for one’s eyes, but it calms me down and allows me to instantly access my imagination.
A blank piece of paper and a pen are the only necessities because I’ve trained myself to be able to write anywhere. I have to write every day; I learned that from Ray Bradbury. When it comes to craft, an artist has to be flexible and prepared. I usually have something to read with me, poetry or a magazine to collect words. Usually I look for nouns and adjectives that spark a sentence. This leads me into whatever fragment of the novel I’m committed to work on that day. I move around freely in the timeline of each story, until I have a solid first draft or outline. Then, more tea.
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For me, all writing starts with a pot of tea. English Breakfast or a variation of something strong and British so I can channel the Queen’s English.
I like working in a dark room, with a single, dim light. Windows are optional. This is not the best for one’s eyes, but it calms me down and allows me to instantly access my imagination.
A blank piece of paper and a pen are the only necessities because I’ve trained myself to be able to write anywhere. I have to write every day; I learned that from Ray Bradbury. When it comes to craft, an artist has to be flexible and prepared. I usually have something to read with me, poetry or a magazine to collect words. Usually I look for nouns and adjectives that spark a sentence. This leads me into whatever fragment of the novel I’m committed to work on that day. I move around freely in the timeline of each story, until I have a solid first draft or outline. Then, more tea.
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