Title : How to Use Your Character's POV to Inform Your Setting by Kim Culbertson
link : How to Use Your Character's POV to Inform Your Setting by Kim Culbertson
How to Use Your Character's POV to Inform Your Setting by Kim Culbertson
Have you ever read (or written?) a long passage of boring setting description eager to get to the good parts about the character? Well, author Kim Culbertson is here to share with us today some of the best advice for avoiding this stumbling block. She's also celebrating the release of her newest novel, The Wonder of Us. So be sure to check it out below her WONDERful post!The View from Where She’s Standing: Using POV to Inform Setting
by Kim Culbertson
I’ve always loved the immediate quality of Point of View in YA novels. In much of the young adult writing work I do, I use a first person narrator and often write in the present tense. This gives the story a sharp, candid lens through which to see this character’s world. It also creates a focus for the setting – whatever sense of place I develop in a work must be funneled through this specific character’s sensibilities.
When I was writing my first novel Songs for a Teenage Nomad, a critique partner noticed that my main character Calle described a landscape in a way that he felt didn’t fit her voice. She was using words and experiences to describe something that didn’t ring true for what he already knew of her character. He pointed out that this type of description was the author (me) creeping in and it popped him out of the story. He was right, and I tweaked the particular description to be more “Calle-esque.” I’ve taken that advice to heart with each new character I develop. In Instructions for a Broken Heart, Jessa is a heartbroken drama kid traveling in Italy with a school drama group, so what she notices about Italy and about the people she interacts with there must ultimately be channeled through this lens. It will be a bit more maudlin and more sensitive to dramatic elements than a character viewing Italy as a chef or as someone in a more upbeat emotional space.
The lens of the POV changes the shape of the storytelling.
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