Title : Jared Reck, author of A SHORT HISTORY OF THE GIRL NEXT DOOR, on pretending like you’re a real-live writer
link : Jared Reck, author of A SHORT HISTORY OF THE GIRL NEXT DOOR, on pretending like you’re a real-live writer
Jared Reck, author of A SHORT HISTORY OF THE GIRL NEXT DOOR, on pretending like you’re a real-live writer
We're excited to have Jared Reck swing by to chat about his debut novel, A SHORT HISTORY OF THE GIRL NEXT DOOR.
I wish I could say that SHORT HISTORY came from some big idea, but it didn’t. It really just started with a character.
I teach 8th grade ELA, which I run as a Writing Workshop, and every year we do a pretty in-depth unit on fiction writing. We always start the process by developing a believable main character using a simple questionnaire—about twenty questions answered in the voice of that character, almost like you’re sitting down across the table from your character and recording whatever he or she says to you. (I still start all my stories this way, with about 20-30 pages of character responses before I ever try writing the first chapter.)
About seven or eight years ago, I’d finished my first short story with my students—a 30-page story about a dweeby 8th-grade orchestra member sitting in in-school suspension—and I loved how it turned out. So when I sat down and started a new character with my students the next year, I ended up loving this kid even more: he was funny, and self-deprecating, and stuck inside his own head all the time, and he lived and breathed basketball. He was Matt.
So before I ever knew where I was going with the story—before I knew I’d even attempt to turn it into a novel—I had this character, this voice, that I loved. (I’m still not sure I ever figured out plot.)
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